The Icon in Orthodox Christianity, Art History and Semiotics

Abstract

In order to understand current dynamics of religious diversity, a focus on the tangible presence of religion and the co-existence of new and longstanding religious buildings, sites and artifacts in urban spaces is a fruitful starting point. Launching the notion of iconic religion, this introduction seeks to contribute to developing a scholarly framework for the nexus of religion and the city from a spatial, material, aesthetic and semiotic angle. Situated in the interface between matter and religious meaning, religious icons are not simply carriers of meaning, but make it present.