Passing through: negotiating identity, sexuality and movement in Ahmed Imamovic’s Go West

Abstract

Bosnian director Ahmed Imamović’s 2005 film Go West, situated at the breakout of war in Bosnia and Herzegovina during the disintegration of Yugoslavia, follows an ethnically mixed gay couple as they attempt to escape war and gain entry to Europe. While hiding out in a small village in eastern Bosnia, Milan has his partner Kenan dress as a woman so that they can ‘pass’ as a married heterosexual couple. The notion of ‘passing’ and ‘passing through’ are some of the key themes in the film and will be the focal point of my analysis. My claim is that Go West’s emphasis on a ‘good’ and ‘bad’ Europe lacks an intersectional understanding of power relations and directly influences the scope of (im)possible identities and sexualities that are presented in the film. Moreover, looking at how identity and sexuality are constructed and mediated in the film through the lens of ‘nesting orientalisms’ and ‘Balkanism,’ my aim is to bring to light an ideological duality that is created between the idea of a peaceful, liberated Europe and another Europe that always lags behind the West.