Abstract
Third‐generation Nigerian female writers’ representation of gender in local spaces through the rethinking of family relationships reflects a development and change from the first and second generation female writers Flora Nwapa, Buchi Emecheta, and Ifeoma Okoye. In a comparative analysis of Chimamanda Ngozi Adichie’s Purple Hibiscus (2004), Unoma Azuah’s Sky‐High
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