Between Attraction and Narration: Early Film Adaptations of Fairy Tales

Abstract

Adaptations of fairy tales were particularly popular in the years of early cinema. In the period preceding the year 1903 films consisted of a series of animated tableaux since filmmakers had difficulties in telling a coherent story. Allusions to a well‐known tale could then function as a guide for the spectator. At the same time, filmmakers were fond of experimenting with cinematic tricks, such as stop‐motion techniques and superimpositions. The fairy tale offers a legitimate backdrop for these tricks and these film adaptations even display an excess of the marvelous at the cost of the actual story itself.